We are all set up and excited for tonight’s opening of the New York Art Book Fair at PS1 MoMA, come by our booth Q49 on the second floor.
We are presenting CAG publications from 30 years of publishing, among them Christopher Williams, Robert Orchardson, Sarah Browne, Roy Arden, Hans-Peter Feldmann, Ken Lum, Shannon Oksanen, Frances Stark and many more. We are also featuring limited edition prints by Robert Orchardson and Thomas Bewick. We will also have some rare signed copies of several of our publications as well!
See you at the fair, yours Jill and Soledad.
On Wednesday July 11 between 1:30 and 4:30 am Nicolas Sassoon with four extension ladders and some expert help installed the first layer of WAVES at the Yaletown-Roundhouse Canada Line Station.
It was a difficult task getting to the North windows above the stairs. We tried the morning before with a boom, but couldn’t get the massive machine through the door.
Thanks to Contrada Enterprises LTD for helping us solve the problem. In less than 24 hours they pulled together a great crew who fearlessly climbed the 40 foot extension ladders and clamped on the frame in less than three hours.
The mural was finished the next afternoon by Proper Design who perfectly applied the second layer to the outside windows.
Many thanks to both. The piece looks great. It is on view at the Yaletown-Roundhouse Station, Canada Line until January 20, 2013. We hope you get to see it numerous times.
Hello dear CAG Blog readers,
My name is Amelie Puget, and I have the great pleasure to join the Contemporary Art Gallery as a new curatorial intern.
Currently, I am a visual arts and French kindergarten teacher, and I am glad to be able to combine my job and my interest in contemporary art in doing this internship.
To introduce myself a bit more:
I studied Art History and Visual Arts in France before teaching arts as an interpreter/educator. In 2011, I worked for 7 months at WIELS, the Contemporary Art Centre of Brussels, Belgium. There, I was both education and curatorial assistant. It was an amazing experience, and now I am enthusiastic to be a part of the CAG team and to be in Vancouver.
My internship starts today, in the midst of install of the new exhibitions… exciting!
See you this Thursday for the opening,
Amelie Puget – Curatorial Intern
I’ve posted a few research images from my recent trip to Belgium and Germany, starting in Genk at Manifesta 9 and ending in Kassel for Documenta 13. The slide show represents a fraction of what I saw, but here are some highlights.
Matthew Monahan is interviewed for Life on Mars the Carnegie International in 2008. Matthew Monahan’s first Canadian solo exhibition opens at the Contemporary Art Gallery on Thursday April 26 and continues until July 1, 2012.
There are only a few days left to see both Guo Fengyi and Frances Stark’s work at the Contemporary Art Gallery.
Sunday April 15th is your last chance to view the exhibitions Guo Fengyi and Frances Stark My Best Thing.
And YOGA. After a very successful and sold out yoga event on Sunday March 25th at the Contemporary Art Gallery, we have once again partnered with Yoga Outreach to present one last yoga workshop on the closing day of the exhibition, this Sunday from 11am to 1pm.
To accommodate for this special yoga fundraising event we are thrilled to extend our hours on Sunday from 1 pm to 7pm for a final view of these two extraordinary exhibitions. We look forward to seeing you this weekend at the Contemporary Art Gallery.
Sunday, April 15, 11 am - 1 pm
Participate in a yoga workshop in the gallery surrounded by the large-scale drawings by Chinese artist Guo Fengyi. Master Tantric yoga teacher Mary-Jo Fetterly leads a class held in the context of the solo exhibition of Fengyi’s complex and intricate drawings.
Proceeds go to support the work of Yoga Outreach.
On Sunday April 1st at the CAG, Tate Modern curator Mark Godfrey gave an engaging talk on Frances Stark’s practice in relation to her work My Best Thing to over 100 visitors. Frances Stark’s My Best Thing is a feature length animation film currently on view until Sunday April 15. Here are some images of the event taken by CAG volunteer Jamie Dolinko.
Join us at the Contemporary Art Gallery on Saturdays at 3pm for a series of guided visits and public discussions on our current exhibitions. Recent discussions, led by Neil Campbell and Carla Nappi, have focused on Guo Fengyi’s work now on view until April 15th, 2012. Their talks ranged from issues relating to artistic process to traditional methods of Chinese healing and medicine. Guo Fengyi began drawing as a form of healing within the practice of Qi-qong, referring to her work as ”painted perscriptions.” Over the course of twenty years her drawings evolved to engage relationships between history and myth, and knowledge and mystery.
Neil Campbell on February 11
Carla Nappi on March 10
This upcoming Saturday Keith Wallace, editor of Yishu: Journal of Contemporary Chinese Art, will expand further on Guo Fengyi’s work in the context of art in China. The following Saturday, March 24th, The CAG’s Executive Director Nigel Prince, will give a Guided Visit.
In the following weeks we are offering guided visits of all our exhibitions, including Frances Stark’s My Best Thing and Scott Massey’s Aurorae. On March 31 CAG volunteer and educator Patricia Huijnen will give a tour in French and on Sunday, April 15 (the last day of the exhibitions) Jill Henderson, CAG Gallery Coordinator, will present.
Admission is free so please join us for this series of discussions on Saturday afternoons plus one Sunday. Conversation is encouraged and all are welcome! Please visit our website or contact email@example.com for more information.
Curatorial Intern – Karina Irvine
As part of the Contemporary Art Gallery’s on-going video series, One Question, Frances Stark discusses her feature length animation, My Best Thing, which is now on view at the gallery until April 15, 2012. While using the highly accessible and modest medium of the video chatroom, Stark explores complexities in communication through the guise of cartoon avatars. Here is Frances addressing the question “What is your identification with materials in contemporary culture?”
Video production by Adrian Buitenhuis.
Today is the last day of my six month Curatorial Internship at the CAG. Well actually, as I write this it is fast approaching the last minutes of my tenure here.
I’ve been trying for a while now to distill my experience here into a series of anecdotes or learned facts, but I keep feeling like they don’t add up into something meaningful enough to describe what this internship has given me.
Ultimately, the most valuable thing I’ve been able observe is how an institution like the Contemporary Art Gallery functions and what a curator’s role is. As a viewer of an exhibition one rarely has a sense of how much work goes into every single miniscule detail. The CAG is able to pull it off because there is an incredibly dedicated staff here that ensures that everything from the carpentry in the installation to the design of the publication is immaculate.
I already knew that all of the curator’s choices and the judgements will be scrutinized, but I could not have anticipated the amount of personal responsibility you begin to take in making sure that ever detail is considered. There are pressures to be locally minded but not insular, to be international but not arrogant, to make your presence known but let the artist’s work shine, to be diplomatic, to be articulate, to be involved, to be discreet, to be social and to be studious. The funny thing is, all of these pressures just make me want to pursue this path more. Who wants to exist in a bubble? I want to have to answer to the highest standards possible, heck I want to eventually start setting those standards.
When I was interviewed for this position I remember Nigel asking me why I aspired to be a curator, between tangents and stuttering ‘umm’ I remember answering that one of the reasons was because I was interested in how an exhibition becomes much more than the sum of its parts. I still consider this to be a crucial element of exhibition making, but now I know that why I want to curate goes far beyond some logistical considerations and the launch of an ‘event’. Rather, it is because I want to keep learning, I want to make connections, I want to track histories, I want to explore visual languages, I want to ask questions, and mostly I want to be sincere in these pursuits.
Meredith Carr – Curatorial Intern